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RE:Match
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1.3.5 for After Effects (REVisionFX)
RE:Match is a set of plug-ins to match one view of video or film to another so that it looks as if it was shot with the same camera and settings. RE:Match assumes that both image sequences are taken roughly at the same location but perhaps were not shot at the same time or from the same https://previews.customer.envatousercontent.com/h264-video-previews/3f78dc7d-a556-4688-887e-a72433f1e2f1/1790494.mp4
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For multicam shoots, or single camera shoots consisting of multiple shots with different lighting or camera settings, RE:Match matches as best it can one sequence’s overall color appearance to match that of another.
For stereo pairs, RE:Match can further refine the overall color match by taking into account that the two views are captured at the same time with a relatively small distance between the views. In addition, RE:Match is also able to propagate color changes into areas that are present in only one view. RE:Match can also make other details, such as reflections, specular highlights, and lens flares be consistent between the two views.
What’s new in version 1.3.5? Posted June 13, 2014:
- RE:Match Color: Fixes a problem where Adjustment Controls were not properly taken into account with Stored Analysis.
- RE:Match Color: Enables Limit setting (slider might have slightly different effect than previous versions since it now works in a more expected way).
- RE:Match Color: Fixex images produced that could be too bright when using Adjustment Controls with Limit slider on floating point images.
- RE:Match Stereo: Fixes issue with alpha when using Maintain Alpha mode.
- RE:Match Color: Fixes a problem where the Store Still Time action could be writing wrong frame time depending on Premiere version.